Search results
Results From The WOW.Com Content Network
Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
Shiva Tandava is classified into seven types, namely, Kali Tandava, Sandhya Tandava, Tripura Tandava, Ananda Tandava, Uma Tandava, Samhara Tandava, and Urdhva Tandava. [ 4 ] A few temples in Tamil Nadu are closely associated with Nataraja and have their own myths of dance along with the halls specific to their version of dance.
Shiva performed the Urdhva Tandava posture, i.e. raising one leg above his head and challenged Parvati to replicate it. Due to her modesty and shyness, Parvati refused and agreed her defeat. Parvati in anger assumed her ferocious form Kali and left Chidambaram (Thillai) and settled outside the town borders.
Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
Shiva temples are Hindu temples with shrines of Shiva, one of Hinduism's principal deities. [ a ] It is estimated that there are over 260 Shiva temples in the Indian state of Tamil Nadu . [ 3 ]
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
Shaiva Siddhanta (IAST: Śaiva-siddhānta) [1] [2] is a form of Shaivism popular in a pristine form in South India and Sri Lanka and in a Tantrayana syncretised form in Indonesia (as Siwa Siddhanta [3]) propounds a devotional philosophy with the ultimate goal of experiencing union with Shiva.
Like other Shiva temples of Tamil Nadu, the priests belong to the Shaivaite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Ushathkalam at 6:00 a.m., Kalasanthi at 9:00 a.m., Uchikalam at 1:00 p.m., Sayarakshai at 5:00 p.m., Irandamkalam at 7:00 p.m. and Ardha Jamam at 9:00 p.m.