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With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt Oil Sketch of an Old Man: c. 1655: Oil on panel: 23 x 18: Private collection: 238: Man in Armour: c. 1655: Oil on canvas: 137.5 x 104.5: Kelvingrove Art Gallery ...
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
The Man with the Golden Helmet (c. 1650) is an oil-on-canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. The Man with the Golden Helmet is an example of Dutch Golden Age painting and is now in the collection of the Gemäldegalerie, Berlin .
Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario , and measures 107.4 cm by 87.0 cm.
Sketch of a Bearded Old Man and Three Studies of Headgear: c. 1633-1634?? Chatsworth House: The drawing is related to the painting W110 : Portrait of a Man in an Armchair, Seen Through a Frame: 1634: Black and red chalk, pen and wash in bistre, on vellum: 37.3 x 27.2 cm: Private collection, New York: Inscribed Rembrandt f. 1634 Bearded Old Man ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
On his breast is a double gold chain, below which hangs a knight's cross. Beneath this is the girdle, in which rests the thumb of the gloved right hand. The man wears a large broad felt hat with a red velvet lining and a large plume. Canvas, 39 1/2 inches by 32 inches. In the collection of Lord Coventry, London. Sales.