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Metaphysical Interior with Large Factory is an oil-on-canvas painting by the Italian metaphysical painter Giorgio de Chirico, from 1916. [1] It is part of a series that extended late into de Chirico's career. [2] Like the other works in this series it depicts a small room cluttered with surreal objects.
In 2022, De Chirico and Quatoyiah Murry published the book TCM Underground: 50 Must-See Films from the World of Classic Cult and Late-Night Cinema. [4] [5] [6] In December 2022, De Chirico was laid off from TCM. In February 2023, TCM Underground was discontinued. [7] [3] [8] De Chirico and Danielle Henderson host the podcast I Saw What You Did. [9]
The Castello Estense, [5] near which de Chirico lived, is in the background, rust-red and among industrial buildings. At the front are the two Muses , dressed in classical clothing. One is standing and the other sitting, and they are placed among various objects, including a red mask and staff, an allusion to Melpomene and Thalia , the Muses of ...
Metaphysical Interior with Biscuits (Italian: Interno metafisico con biscotti) is a 1916 painting by Italian metaphysical painter Giorgio de Chirico.It is one of the earliest editions in a series of works that extended late into Chirico's career.
The films were programmed by Eric Weber until 2007, when TCM programmer Millie De Chirico took over the role. The block ended on February 24, 2023, following layoffs in December that included De Chirico. [2] [3] The series was launched in an attempt to attract more young viewers to Turner's older-skewing audience. [4]
The man himself is likely a younger version of the figure of Dionysos who appears in later works by de Chirico, such as The Phantom. [ 1 ] The common interpretation of the painting is that the figure represents de Chirico's father, with the book on the table representing the artists' parent's lovemaking, perhaps witnessed at some point by the ...
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The Song of Love by Giorgio de Chirico, 1914. Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. [2]