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The song, in which Kim Gordon lists off the names of every model featured in the 1992 Sports Illustrated Swimsuit Issue, was selected as one of PopMatters's 65 greatest protest songs of all time with the praise that "Sonic Youth reminds us that protest songs don't have to include acoustic guitars and twee harmonica melodies stuck in 1965. They ...
A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events). It may be folk, classical, or commercial in genre.
The connection between music and politics has been seen in many cultures. People in the past and present – especially politicians, politically-engaged musicians and listeners – hold that music can 'express' political ideas and ideologies, such as rejection of the establishment ('anti-establishment') or protest against state or private actions, including war through anti-war songs, but also ...
Music scholar Anne Schumann writes that music protesting apartheid became a part of Western popular culture, and the "moral outrage" about apartheid in the west was influenced by this music. [77] The cultural boycott, and the criticism that Paul Simon received for breaking it, was an example of how closely connected music had become to politics ...
The song was then recorded at Columbia Studios in New York on October 23 and 24; [6] the latter session yielding the version that became the title song of Dylan's third album. [7] The a-in the song title is an archaic intensifying prefix, as in the British songs "A-Hunting We Will Go" and "Here We Come a-Wassailing", from the 18th and 19th century.
Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950.
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The song has been used during many Eastern European political campaigns and movements. Its success is partly because the lyrics can be applied to numerous causes. [2] The song was played from speakers at a barricade by civilians opposing the 1991 Soviet coup d'état attempt by hard-line communists; it was also played at protests during the 1993 Russian constitutional crisis. [3]