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The third inversion of a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it. In the third inversion of a G-dominant seventh chord, the bass is F — the seventh of the chord — with the root, third, and fifth stacked above it (the root now shifted an octave higher), forming the intervals of a second, a fourth, and a sixth above ...
For instance, if a piano piece had a C major triad in the right hand (C–E–G), with the bass note a G with the left hand, this would be a second inversion C major chord, which would be written G 6 4. If this same C major triad had an E in the bass, it would be a first inversion chord, which would be written E 6
The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective
When the symbol "9" is not preceded by the word "major" or "maj" (e.g., C 9), the chord is a dominant ninth. That is, the implied seventh chord is a dominant seventh , i.e. a major triad plus the minor seventh, to which the ninth is added: e.g., a C 9 consists of C, E, G, B ♭ and D. C dominant ninth (C 9 ) would usually be expected to resolve ...
For example, a C-major chord in first inversion (i.e., with E in the bass) would be notated as "C/E". This notation works even when a note not present in a triad is the bass; for example, F/G [5] is a way of notating a particular approach to voicing an Fadd 9 chord (G–F–A–C).
For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass. Likewise the notation C/G bass indicates that a C major chord with a G in the bass (second inversion). See figured bass for alternate method of notating specific notes in the bass.
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
However, if the lowest note (i.e. the bass note) is not the root of the chord, then the chord is said to be an inversion: it is in root position if the lowest note is the root of the chord, it is in first inversion if the lowest note is its third, and it is in second inversion if the lowest note is its fifth. These inversions of a C major triad ...