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"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with " If I Fell ", as a single release by Capitol Records in the United States ...
"And I Love Her" (1964) " I Should Have Known Better " is a song by English rock band the Beatles composed by John Lennon [ 2 ] [ 3 ] (credited to Lennon–McCartney ) and originally issued on A Hard Day's Night , their soundtrack for the film of the same name released on 10 July 1964.
"12-Bar Original" was the Beatles' first instrumental after signing for EMI, and was produced by George Martin at EMI's Abbey Road Studios, London. Four other instrumentals by the group are the aforementioned "Flying", an outtake version of that song called "Aerial Tour Instrumental", " Cayenne " and " Cry for a Shadow ".
The album includes the song "A Hard Day's Night", with its distinctive opening chord, [4] and "Can't Buy Me Love", both transatlantic number-one singles for the band. Several songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that influenced the Byrds and other groups in the emerging folk rock and jangle pop ...
The Beatles' Second Album "She Loves You" "I'll Get You" UK & US single (US on Swan) 1 — 3 — — — — — 1 — 7 — 7 — 1 — 1 — — — 1 — BPI: Silver [13]; The Beatles' Second Album
The song was initially composed in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle" – melody note C) then the second chord (on "ma belle" – melody note D ♭) is a B ♭ 7 ♯ 9 (on the original demo in C, the second chord is a F 7 ♯ 9).
According to Walter Everett the opening chord has an introductory dominant function because McCartney plays D in the bass: Harrison and Martin play F A C G, over the bass D, on twelve-string guitar and piano respectively, giving the chord a mixture-coloured neighbour, F; two diatonic neighbours, A and C; plus an anticipation of the tonic, G ...
An AllMusic critic described the song as "a love lament for a grieving girl that was perhaps more morose than any previous Beatles' song." [1] Musicologist Alan W. Pollack notes that the song is relatively complex in format, with a refrain, bridge, and a guitar solo.