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Gregorian chants fall into two broad categories of melody: recitatives and free melodies. [32] The simplest kind of melody is the liturgical recitative. Recitative melodies are dominated by a single pitch, called the reciting tone .
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
In 2004, it was re-issued along with its follow-up, Chant II as Chant: The Anniversary Edition by Angel/EMI Classics. The album was spoofed by members of the comedy rock band Big Daddy, performing as the Benzedrine Monks of Santa Domonica, in their album Chantmania, [10] which included Gregorian-inspired versions of notable pop songs.
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
Media vita in morte sumus (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". [1] The most accepted source is a New Year's Eve religious service in the 1300s. [1]
Gregorian chant setting for Kyrie XI notated in neumes.. The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass.It contains eighteen Masses (each consisting of the Kyrie, Gloria [excluded from Masses intended for weekdays/ferias and Sundays in Advent and Lent], Sanctus, and Agnus Dei), six Credos, and several ad libitum chants.
Examples of musical genres employing free time include Gregorian chant, the petihot used as transitions between Baqashot in Sephardic Jewish cantillation, nusach, layali, early types of organum, Anglican chant, the préludes non mesurés of 17th-century French lute and keyboard music, the alap of Hindustani classical music, Javanese pathetan ...
"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.