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Walter Dorwin Teague (December 18, 1883 – December 5, 1960) was an American industrial designer, architect, illustrator, graphic designer, writer, and entrepreneur.Often referred to as the "Dean of Industrial Design", [1] Teague pioneered in the establishment of industrial design as a profession in the US, along with Norman Bel Geddes, Raymond Loewy, Henry Dreyfuss [2] and Joseph Sinel.
The Eameses' most famous foray into office furniture was a suite of lightweight designs created for Eero Saarinen and Alexander Girard to use in a home for J. Irwin Miller in 1958.
Henry Dreyfuss (March 2, 1904 – October 5, 1972) was an American industrial designer. He is known for designing the Western Electric Model 500 telephone , the Westclox Big Ben alarm clock, and the Honeywell T87 Round Thermostat .
All Harleys since, including models in production now, are based on Stevens's body designs. His designs in home and kitchen appliances were popular, and he is recognized as the originator of the robin's-egg-blue phase of 1950s kitchen appliances, [5] as well as the iconic Skylark laminate design popularized by Formica. He also practiced ...
Four cities per season. Hundreds of shows per city. Double-digit looks per show. It all amounts to thousands of new runway looks every year. And hundreds more appear on the red carpet and in the ...
Panton made a series of sketches and design drawings for the Panton Chair in the 1950s. In 1960 , he created his first model, a plaster-cast, in collaboration with Dansk Akrylteknik. [ 2 ] In the mid-1960s, he met Willi Fehlbaum from the furniture manufacturer Vitra who, unlike many other producers, was fascinated with the drawings of his ...
Verner Panton (13 February 1926 – 5 September 1998) is considered one of Denmark's most influential 20th-century furniture and interior designers.During his career, he created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colors.
Robin Day's early designs reflected the optimistic, forward-looking mood of the post-war era. 'To many of us then, design was more than just a profession – we were dedicated, competitive and filled with evangelical zeal,’ he later recalled. [21] 'In my long years of designing, the thing that has always interested me is the social context of ...