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The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
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Symphony No. 8 [7] Variations for Cello and Orchestra [7] Leonard Rosenman. The Cobweb (1955) [1] Humphrey Searle. All works from the Intermezzo for eleven instruments, Op. 8 (1946), onwards [10] Roger Sessions. Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's ...
Hauer's compositional techniques are extraordinarily various and often change from one piece to the next. These range from building-block techniques to methods using a chord series that is generated out of the twelve-tone row ("Melos") to pieces employing an ordered row that is then subject to systematic permutation.
Created Date: 8/30/2012 4:52:52 PM
A 12-tone row has hexachordal combinatoriality with another 12-tone row if their respective first (as well as second, because a 12-tone row itself forms an aggregate by definition) hexachords form an aggregate. There are four main types of combinatoriality. A hexachord may be: Prime combinatorial (transposition) Retrograde combinatorial
The main debt of this system to the 12-tone system lies in its use of an ordered linear succession in the same way that a 12-tone set does". [ 6 ] In 1968, Perle cofounded the Alban Berg Society with Igor Stravinsky , and Hans F. Redlich , who had the idea (according to Perle in his letter to Glen Flax of 4/1/89 [ citation needed ] ).