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"Life in the Fast Lane" is a song written by Joe Walsh, Glenn Frey and Don Henley, and recorded by American rock band Eagles for the band's fifth studio album Hotel California (1976). It was the third single released from this album, and peaked at No. 11 on the Billboard Hot 100 .
"Fast Lane" is the lead single by hip hop duo Bad Meets Evil, a group composed of Royce da 5'9" and Eminem, from their first EP Hell: The Sequel. The single was produced by Eminem , Supa Dups , and Jason "JG" Gilbert , and released on May 3, 2011 by Shady Records .
Substitution for foul language (now widely used among the general public). Crotch rocket A very fast motorcycle (now widely used among the general public). Do a flip Turn around and go the opposite direction. As in, "That county mountie did a flip when the bear bait went by in the hammer lane." Double-nickels A 55 mph speed zone.
"The Last Resort" is a song written by Don Henley and Glenn Frey, which describes industry and commerce inevitably destroying beautiful places. It was originally released on the Eagles' album Hotel California on December 8, 1976. [1] It was subsequently released as the B-side of "Life in the Fast Lane" single on May 3, 1977.
"Now and Later" is a song by American rapper Sage the Gemini. It was released on October 14, 2016, as the lead single from his debut mixtape, Morse Code (2017). [ 1 ] The song was used in a popular Snapchat filter.
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
Passing lane or fast lane, a lane on a multi-lane highway or motorway closest to the center of the road FastLane Technologies, a company acquired in 2001 by Quest Software Fastlane, a blog by Bob Lutz of General Motors
"Vasoline" is a song by American rock band Stone Temple Pilots from their second album, Purple. The song was the second single of the album, reaching number one on the Billboard Mainstream Rock Tracks chart for two weeks. [3] The song's odd-sounding intro was created by Robert DeLeo, who ran his bass through a wah-wah pedal to get