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In antiquity, the cross, i.e. the instrument of Christ's crucifixion (crux, stauros), was taken to be T-shaped, while the X-shape ("chiasmus") had different connotations.. There has been scholarly speculation on the development of the Christian cross, the letter Chi used to abbreviate the name of Christ, and the various pre-Christian symbolism associated with the chiasmus interpreted in terms ...
Christ Carrying the Cross, 1580, by El Greco, whose art reflects both his roots in Greek Orthodox traditions and the Catholic Counter-Reformation After Giotto , Fra Angelico and others systematically developed uncluttered images that focused on the depiction of Jesus with an ideal human beauty, in works like Leonardo da Vinci 's Last Supper ...
Jesus (/ ˈ dʒ iː z ə s /) is a masculine given name derived from Iēsous (Ἰησοῦς; Iesus in Classical Latin) the Ancient Greek form of the Hebrew name Yeshua (ישוע). [ 1 ] [ 2 ] As its roots lie in the name Isho in Aramaic and Yeshua in Hebrew, it is etymologically related to another biblical name, Joshua .
The name Alexamenos (and its Latinate variant Alexamenus) is also attested in the instances of Alexamenus of Teos, student of Socrates, and the general, Alexamenus of Aetolia (2nd century BC), possibly composed of the common Greek compound elements of ἀλέξω (alexo, "I defend, help") and μένος (menos, "strength, bravery, power, etc ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
IX monogram. The IX monogram or XI monogram is a type of early Christian monogram looking like the spokes of a wheel, sometimes within a circle. [1]The IX monogram is formed by the combination of the letter "I" or Iota for Iesous (Ιησους, Jesus in Greek) and "X" or Chi for Christos (Χριστος, Christ in Greek).
The largest groups of Early Christian paintings come from the tombs in the Catacombs of Rome, and show the evolution of the depiction of Jesus, a process not complete until the 6th century, since when the conventional appearance of Jesus in art has remained remarkably consistent.
The initial system of nomina sacra apparently consisted of just four or five words, called nomina divina: the Greek words for Jesus, Christ, Lord, God, and possibly Spirit. The practice quickly expanded to a number of other words regarded as sacred.