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Head cones, also known as perfume cones or wax cones, were a type of conical ornament worn atop the head in ancient Egypt. They are often depicted on paintings and bas-reliefs of the era, but were not found as archaeological evidence until 2009, according to research published in 2019.
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt, around 100–300 AD, [6] but it was a
The relief, entitled "Sahure's splendor soars up to heaven", is the only one in Egyptian art that depicts a king gardening. [12] Myrrh was used by the ancient Egyptians, along with natron , for the embalming of mummies.
The scarab has ties to themes of manifestation and growth, and scarabs have been found all across Egypt which originate from many different periods in Egyptian history. Scarabs have also been found inside of sunken ships, like one discovered in Uluburun, Turkey, which was inscribed with the name of the Egyptian queen Nefertiti. This scarab was ...
The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and the Hadrianic Roman city Antinoopolis. "Faiyum portraits" is generally used as ...
Egyptian blue is a material related to, but distinct from, faience and glass. Also called "frit", Egyptian blue was made from quartz, alkali, lime and one or more coloring agents (usually copper compounds). These were heated together until they fused to become a crystalline mass of uniform color (unlike faience in which the core and the surface ...
A Brazilian wax can be pretty painful — remember, it involves the use of hot wax to rip hair from your nether regions. But the good news (!) is that the pain is typically brief. “A Brazilian ...
Carnelian was used widely during Roman times to make engraved gems for signet or seal rings for imprinting a seal with wax on correspondence or other important documents, as hot wax does not stick to carnelian. [8] Sard was used for Assyrian cylinder seals, Egyptian and Phoenician scarabs, and early Greek and Etruscan gems. [9]