Search results
Results From The WOW.Com Content Network
Muddy can still choose and demand the utmost from the cream of Chicago’s bluesman crop. No superstars or electronic gimmickry invade the blues club mood that Muddy conjures with ease on Can't Get No Grinding " [ 6 ] AllMusic reviewer Bruce Eder stated "Muddy's next-to-last Chess album, Can't Get No Grindin' marked a return to working with a ...
"Walkin on Water" was written by Stray Kids' in-house production team 3Racha, and co-composed with Restart and Chae Gang-hae. [6] Described as a "challenge", 3Racha revealed on behind-the-scenes video Intro "Hop" that it is the first time that the song contains only one genre in the whole song, which is "old-school hip-hop genre with boom bap beats", departing from mixing diverse sounds of ...
AllMusic reviewer Lindsay Planer stated, "The nine sides on Unk in Funk (1974) are among the last newly recorded material that Muddy Waters would issue during his nearly 30 year association with Chess Records. Backing up the Chicago blues icon is a band he'd carry with him for the remainder of his performing career ...
"Muddy Water", a 1926 song with lyrics by Jo Trent and music by Peter DeRose & Harry Richman, covered by many artists "Muddy Water", a song by English rock group Free, from the 1973 album Heartbreaker
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. [3] "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a ...
Stray Kids debut EP I Am Not, released in March 2018, included the single "District 9". Musically, the song incorporates rock genre with EDM breaks, siren sounds, and hip hop dance moves. [1] The lyrics implied frustrations of the people who doubt the band's identities when they themselves have not found it yet. [2]
After the Rain is the sixth studio album by Muddy Waters. It is the follow-up to the previous year's Electric Mud, and shares many of the same musicians. Unlike Electric Mud, After the Rain contained mostly Waters's own compositions; the songs, while still distorted, are less overtly psychedelic. [2]
In the late 1940s and early 1950s, Muddy Waters was recording the type of music that helped the blues survive as a commercially viable type of music. "Long Distance Call" was recorded on 23 January 1951, with Little Walter on harmonica and Ernest "Big" Crawford on bass, in a session that also produced "Too Young To Know", "Honey Bee", and ...