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With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
Some fonts oriented towards small print use and printing on poor-quality newsprint paper may have slab serifs to increase legibility, while their other features are closer to conventional book type fonts. Slab serif fonts were also often used in typewriters, most famously Courier, and this tradition has meant many monospaced text fonts intended ...
Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
Roboto Slab Designer: Christian Robertson Class: Slab serif : Rockwell Class: Slab serif : Rotis Designer: Otl Aicher Class: Other : Sabon Designer: Jan Tschichold Class: Old style : Serifa Designer: Adrian Frutiger Class: Slab serif : Source Serif Pro Designer: Frank Grießhammer Class: Transitional : Souvenir Designer: Morris Fuller Benton ...
Size of this PNG preview of this SVG file: ... Sans and sans-serif comparison ... Version 1.2 or any later version published by the Free Software Foundation; ...
These include chiseled, stenciled, semi-rounded, dotted, prisma, railed, and slab-serif versions. Some variants have two optical sizes: "display" for large and "text" for small text. The letters in the "text" size have larger apertures and more generous letter-spacing than in the "display" size.
The fonts were originally developed by Steve Matteson as Ascender Sans and Ascender Serif, and were also the basis for the Liberation fonts licensed by Red Hat under another open source license. [2] In July 2012, version 2.0 of the Liberation fonts, based on the Croscore fonts, was released under the SIL Open Font License. [6]