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Pretty on the Inside is the debut studio album by American alternative rock band Hole, released on September 17, 1991, in the United States on Caroline Records.Produced by Sonic Youth's Kim Gordon, and Gumball frontman Don Fleming, the album was Hole's first major label release after the band's formation in 1989 by vocalist, songwriter, and guitarist Courtney Love and lead guitarist Eric ...
Kim Althea Gordon was born April 28, 1953, [2] in Rochester, New York, the second child of Althea (d. 2002) and Calvin Wayne Gordon (1915–1998). [3] [4] [5] At the time of her birth, Gordon's father, a native of Kansas, [5] was a professor in the sociology department at the University of Rochester.
Hole's debut studio album Pretty on the Inside, released in 1991, contains a cover of the song on as its closing track. Listed under the title "Clouds", it contains additional lyrics sung by frontwoman Courtney Love. [29]
Live Through This is the second studio album by the American alternative rock band Hole, released on April 12, 1994, by DGC Records.Recorded in late 1993, it departed from the band's unpolished hardcore aesthetics to more refined melodies and song structure. [4]
"On the Inside" is the theme song for the Australian soap opera Prisoner (known as Prisoner: Cell Block H in some territories). It was written by Allan Caswell and performed by Lynne Hamilton . Background and recording
Courtney Love is known to have written "Doll Parts" as early as November 1991, performing it acoustically at a Hole concert in Massachusetts. [8] The song developed into its final form less than two weeks later and became a regular number on setlists during the band's tour of Europe and the United Kingdom the following month.
The lyrics, written by Love, [3] contain several literary references; the line "Oh, look at my face / My name is might-have-been" is directly lifted from the opening verse of Dante Gabriel Rossetti's poem, "A Superscription," (and also quoted in Eugene O'Neill's Long Day's Journey into Night) [4] while the phrase "pound of flesh" originates ...
Sam Batra of The Guardian wrote of the band's London date in December 1991: "There's no pretending that [Love] is in control. This is the sound of living on the edge and consequently working it out in splurges of furious noise seems to be the only articulation that has any authenticity," adding that "it's as if every flurry of noise unravels itself, breaks down as it struggles within the ...