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Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
from Hindi पश्मीना, Urdu پشمينه, ultimately from Persian پشمينه. Punch from Hindi and Urdu panch پانچ, meaning "five". The drink was originally made with five ingredients: alcohol, sugar, lemon, water, and tea or spices. [15] [16] The original drink was named paantsch. Pundit
This is a List of Pakistani writers of fiction and nonfiction who are native to, or born in Pakistan, writing in any language. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Ahmed Ali (Urdu: احمد علی; 1 July 1910 – 14 January 1994) was a Pakistani novelist, poet, critic, translator, diplomat and scholar.A pioneer of the modern Urdu short story, his works include the short story collections: Angarey (Embers), 1932; Hamari Gali (Our Lane), 1940; Qaid Khana (The Prison), 1942; and Maut Se Pehle (Before Death), 1945.
Example reading "خط نڛتعليق" ("Nastaliq script") in Nastaliq. The dotted form ڛ is used in place of س .. Nastaliq (/ ˌ n æ s t ə ˈ l iː k, ˈ n æ s t ə l iː k /; [2], Persian: [næstʰæʔliːq]; Urdu: [nəst̪ɑːliːq]), also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some ...
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]