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Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga , draped over their tunic, and married citizen women wore a woolen mantle, known as a palla , over a stola , a ...
Women often wore a top layer of the stola, for the rich in brocade. All of these, except the stola, might be belted or not. The terms for dress are often confusing, and certain identification of the name a particular pictured item had, or the design that relates to a particular documentary reference, is rare, especially outside the Court.
27 BC – AD 14), as wife of Augustus, was the first and longest-reigning empress. The term Roman empress usually refers to the consorts of the Roman emperors, the rulers of the Roman Empire. The duties, power and influence of empresses varied depending on the time period, contemporary politics and the personalities of their husband and themselves.
In classical antiquity, Greek and Roman writers were acquainted with people of every skin tone from very pale (associated with populations from Scythia) to very dark (associated with populations from sub-Saharan Africa . People described with words meaning "black", or as Aethiopes, are occasionally mentioned throughout the Empire in surviving ...
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
Statue of the Emperor Tiberius showing a draped toga of the 1st century AD. The toga (/ ˈ t oʊ ɡ ə /, Classical Latin: [ˈt̪ɔ.ɡa]), a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet (3.7 and 6.1 m) in length, draped over the shoulders and around the body.
In Augustan times, when it was used much less, the stola was taken up by Imperial cultural policy and was turned – like the vitta (plaited headband) – into a dress insigne of married Roman women. It may even have been a legal privilege. [7] By this time, it was worn only by women of the social elite.
Among women only the empress is recorded as wearing a chlamys; she was presented with it during the coronation ceremony. In art it is much rarer to see an empress in it than in a loros, but in the well-known ivory Romanos ivory (BnF, Paris) Eudokia Makrembolitissa wears one while her husband Constantine X Doukas (r. 1059–1067) wears the loros ...