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In 1991, Larrabee Studio acquired another studio located at 4162 Lankershim Boulevard in North Hollywood and renamed it Larrabee North. Originally founded by Len Kovner in 1973 as Davlen Sound Studios, Giorgio Moroder purchased the space in 1983 and renamed it Oasis Recording Studios. [ 4 ]
William S. Schnee (born July 4, 1947) is an American musician, music producer, and audio engineer. Schnee has been nominated 11 times for the Best Engineered Album, Non-Classical Grammy Award and worked on a multitude of other Grammy nominated and awarded albums.
Lankershim Boulevard was named after Isaac Lankershim, one of the area's founding families, and is one of the oldest streets in what is now North Hollywood. The boulevard was a major thoroughfare for the town of Toluca (which was renamed Lankershim in 1896 and North Hollywood in 1927), connecting it to Los Angeles by way of the Cahuenga Pass.
Perspective was recorded, engineered and mixed in a number of locations around Los Angeles, including at Amigo Studios in North Hollywood, Oasis Recording Studio in Universal City, United Western Studios in Hollywood and Larrabee Sound in West Hollywood.
Dave's Room was built in the late 1960s by producer, and engineer Freddie Piro. [1] Originally called Mama Jo's, the studio was the first independent recording studio in North Hollywood, California.
Asheville. The mountainous western North Carolina city of Asheville is mentioned several times throughout the book. Kya’s dad, Pa, is from Asheville. His family owned a plantation there, but ...
The Jim Henson Company Lot, formerly A&M Studios, is a studio property located just south of the southeast corner of North La Brea Avenue and Sunset Boulevard in Hollywood. Originally established by film star Charlie Chaplin , the property served as Charlie Chaplin Studios from 1917 to 1953, which later earned the site designation as a Los ...
Lucifuge was recorded at three studios in Hollywood: Hollywood Sound Recorders, Larrabee Sound Studios and Summa Music Group over an eleven-month period, between June 1989 and May 1990; up to this point, it was the longest time Glenn Danzig had taken to make an album. [3]