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Damascus is home to many Mosques, each drawing from various periods of its history such as the Umayyad Caliphate (of which Damascus was the seat), Abbasid Caliphate, Fatimids, Ayyubids, Mamluks, Ottoman Empire and finally the modern Syrian Arab Republic. Umayyad Mosque is the Largest in Damascus
During this period, black and white stone were often used as well as red brick in recurring rows, giving a three colored striped building. [3] Ablaq masonry supplemented other decorative techniques such as the use of "joggled" voussoirs in arches, where stones of alternating colours were cut into interlocking shapes.
This is one of the largest collections of public domain images online (clip art and photos), and the fastest-loading. Maintainer vets all images and promptly answers email inquiries. Open Clip Art – This project is an archive of public domain clip art. The clip art is stored in the W3C scalable vector graphics (SVG) format.
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [10] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
Statue of King Iku-Shamagan, c. 2500 BC. [13] [14] National Museum of DamascusSome of the museum's unique exhibits are the restored wall paintings of the Dura Europos Synagogue from the 3rd century AD, the hypogeum of Yarhai from Palmyra, dating to 108 AD and the façade and frescoes of the Umayyad period Qasr Al-Heer Al-Gharbi, which dates back to the 8th century and lies 80 km south of Palmyra.
English: Damascus, Syria: The courtyard of the 8th-century Umayyad Mosque. The Umayyad Mosque, located in the old city of Damascus, is one of the largest and oldest mosques in the world. It is considered by some Muslims to be the fourth-holiest place in Islam.
Realistic portraiture, and images of animals and plants, was developed in Mughal art beyond what the Persians had so far achieved, and the size of miniatures increased, sometimes onto canvas. The Mughal court had access to European prints and other art, and these had increasing influence, shown in the gradual introduction of aspects of Western ...
In Ottoman art the large and feathery leaves called saz became very popular, and were elaborated in drawings showing just one or more large leaves. Eventually floral decoration mostly derived from Chinese styles, especially those of Chinese porcelain , replaces the arabesque in many types of work, such as pottery, textiles and miniatures.