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Coquihani, god of light; Copijcha, god of war; Cozobi, god of maize; Pecala, god of dreams; See also. Zapotec civilization This page was last edited on 9 ...
Lampetia, goddess of light, and one of the Heliades or daughters of Helios , god of the Sun, and of the nymph Neera . Theia, Titaness of sight and the shining light of the clear blue sky. She is the consort of Hyperion and mother of Helios, Selene, and Eos. Zeus, as a reflex of *Dyeus, could be considered god of the day-lit sky
Like most Mesoamerican religious systems, the Zapotec religion was polytheistic. Some known deities were Cocijo, the rain god (similar to the Aztec god Tlaloc); Coquihani, the god of light; and Pitao Cozobi, the god of maize. [19] Zapotec deities were predominantly associated with fertility or agriculture.
Init-init: the Itneg god of the Sun married to the mortal Aponibolinayen; during the day, he leaves his house to shine light on the world [7] Chal-chal: the Bontok god of the Sun whose son's head was cut off by Kabigat; [8] aided the god Lumawig in finding a spouse [9] Mapatar: the Ifugao sun deity of the sky in charge of daylight [10]
Inti is the ancient Incan sun god. He is revered as the national patron of the Inca state. Although most consider Inti the sun god, he is more appropriately viewed as a cluster of solar aspects, since the Inca divided his identity according to the stages of the sun. [103] Inti is represented as a golden disk with rays and a human face.
Cocijo was said to be the great lightning god and creator of the world. [6] In Zapotec myth, he made the sun, moon, stars, seasons, land, mountains, rivers, plants and animals, and day and night by exhaling and creating everything from his breath. [6]
The fifth sun however is sometimes said to be a god named Nanauatzin. In this version of the myth, the gods convened in darkness to choose a new sun, who was to sacrifice himself by jumping into a gigantic bonfire. The two volunteers were the young son of Tlaloc and Chalchiuhtlicue, Tecuciztecatl, and the old Nanauatzin. It was believed that ...
On a bench in the "sun room", the Sapa Inca sat with the mummies of his ancestors. This and other rooms were oriented northeast–southwest, shingled in gold plate, and embedded with emeralds and turquoise. Focusing the sun's rays with a concave mirror, the Sapa Inca would light a fire for the burnt sacrifice of llamas.