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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
The main theme of Schubert's Impromptu in A ♭ major, Op. 142 No. 2 is strikingly similar to the theme in the first movement of Beethoven's sonata. The four-bar phrases that open these pieces are almost identical in most musical aspects: key, harmony, voicing, register, and basic as well as harmonic rhythm.
Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum, 1991 movie by Mike Figgis
Préludes, Book 1, Book 2: Scores at the International Music Score Library Project; Debussy's Préludes – A Beginners' Guide – Overview, analysis and the best recordings, The Classic Review; Performances of Book 1 and Book 2 of the Preludes by Paavali Jumppanen from the Isabella Stewart Gardner Museum in MP3 format
According to 5th ed. of Grove (1954), Nos. 1 and 2 (settings of Uhland) were written in c. 1849 and published in 1850, but No. 3 (a Freiligrath setting) was written in c. 1845 and published in 1847. The piano transcription of No. 3 is more effective than the other two, at least for concert performance, and this to my mind is doubtless why the ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
A short and graceful movement that is in many respects similar to a minuet. This is the first instance in his 32 numbered sonatas in which the term "Scherzo" is used. The A minor trio section adds contrast to the cheerful opening material of this movement. Unusually, there is a second melody (not in the trio) in the remote key of G ♯ minor.