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American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 February 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
John Gast's 1872 painting American Progress depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fulfill manifest destiny. After the United States gained independence from Britain in the American Revolutionary War, the new capital city of South Carolina was Columbia.
Within the right hemisphere of the painting is a depiction of a valley, representing the Valley of Darkness and symbolic of the troubles faced by explorers. The imagery is familiar imperial iconography and is regarded as a symbol of American exceptionalism and the realization of Manifest Destiny , ultimately leading to the evolution of the ...
Cambridge Dictionary has put it out to the universe, naming “manifest” as its word of the year for 2024.. Popularized by celebrities such as singer Dua Lipa, “manifest” refers to the ...
Progress (The Advance of Civilization) is a painting by Asher B. Durand, one of the most important works of American art, that was in private hands since its creation in 1853. [ 1 ] [ 2 ] In 2018, it was gifted to the Virginia Museum of Fine Arts (VMFA) in Richmond, Virginia , by an anonymous donor, becoming the highest valued gift of a single ...
The portrait of the woman was lost when Picasso painted over it, probably a few months afterward, in 1901 to depict his sculptor friend Mateu Fernández de Soto sitting at a table in hues of blues ...
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