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Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]
During the 1960s he started working with irregularly angled canvases. Yellow Piece (1966), the artist's first shaped canvas, represents Kelly's pivotal break with the rectangular support and his redefinition of painting's figure/ground relationship. With its curved corners and single, all-encompassing color, the canvas itself becomes the ...
Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.
Frank Stella's 1965 group show Shape and Structure immediately refuted Olloway's position by including Hinman's paintings. [15] In 1979, The Visual Arts Museum in New York organised a show named "Shaped Paintings". It opened the scope of the shaped canvas to Pop Art works as well as to three-dimensional shaped canvases.
Art critics noted his "crisp, geometric-shaped canvases in eye-popping synthetic colors," Peter Schjeldahl wrote. U.S. artist Frank Stella poses in front of one of his works at an exhibition ...
In 1957, Clark even broke the bounds of the canvas, extending a piece of painted surface beyond the rectangular frame. Then, in a bold innovation in the late 1960s, he began experimenting with oval-shaped canvases, which he explained better matched the human field of vision. [5] [9] [10] [11]