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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
"Sh-Boom" ("Life Could Be a Dream") is a doo-wop song by the R&B vocal group the Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954.
"The musicians in Nashville use the Nashville Number System almost exclusively for conveying a song's structure and arrangement in the recording studio." [3] In Nashville Notation, the chord numbers map to the chord built diatonically on each scale degree in the Major key -- or the closest relative Major key-- of the song.
The choruses include the lyric "I'll see you on the dark side of the moon." Eclipse seems to be partially inspired by former band member Syd Barrett who had endured a mental breakdown. After road testing the new suite entitled "A Piece for Assorted Lunatics", the song was recorded in October along with "Any Colour You Like".
A particular key features a tonic note and its corresponding chords, also called a tonic or tonic chord, which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. [2] Notes and chords other than the tonic in ...
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
Four Chords & Several Years Ago is the seventh album by American rock band Huey Lewis and the News, released in 1994. The title is a play on the first sentence in ...
The chord structure is in the key of F with an A major chord "borrowed" from the D minor scale, [9] similar to fellow album track "All the Madmen". [10] Throughout the song, Visconti's bass "runs scales" under the chorus and a melody "elsewhere", Woodmansey plays "ecstatic" drum fills deep in the mix and Latin-style percussion "trembling" on ...