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Catholic Mariology is the systematic study of the person of Mary, mother of Jesus, and of her place in the Economy of Salvation [1] [2] [3] in Catholic theology.According to the doctrine of the Immaculate Conception taught by the Catholic Church, Mary was conceived and born without sin, hence she is seen as having a singular dignity above the saints, receiving a higher level of veneration than ...
The papal coat of arms of John Paul II features a cross shifted away from its usual central position to make room for a letter "M" in the sinister base quarter (lower right as seen by the viewer), which represents the Virgin Mary’s presence at Jesus’ death on the cross. [3] In a 1978 article, Vatican newspaper, L'Osservatore Romano, reported:
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Nonetheless, in this period a number of significant Marian churches were built, often laden with Marian symbols, and popular Marian devotions continued in many areas. An example is Santa Maria della Salute in Venice, built to thank the Virgin Mary for the city's deliverance from the plague .
[19] [20] Anglicans, along with other Protestants, teach the Marian dogmas of divine maternity and the virgin birth of Jesus, although there is no systematic agreed upon Mariology among the diverse parts of the Anglican Communion. However, the role of Mary as a mediator is accepted by some groups of modern Anglican theologians. [21]
The following list enumerates a selection of Marian, Josephian, and Christological images venerated in the Roman Catholic Church, authorised by a Pope who has officially granted a papal bull of Pontifical coronation to be carried out either by the Pontiff, his papal legate or a papal nuncio.
In Hildegard's Mariology, Mary assumes the status of an essential, active partner in the plan of redemption. A second characteristic Marian theme is that of the Virgin Mother healing the brokenness brought into the world by the first mother, Eve. [15] Hildegard belongs more to the Romanesque than the Gothic Age.
Each saint is said to have led an exemplary life and symbols have been used to tell these stories throughout the history of the Church. [2] A number of Christian saints are traditionally represented by a symbol or iconic motif associated with their life, termed an attribute or emblem , in order to identify them.