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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
"One of These Days" is a song written by Earl Montgomery, first recorded by George Jones in 1972, [1] and most successfully released by American country music artist Emmylou ...
Real estate investment trusts (REITs) provide another avenue for everyday investors looking to gain exposure to this asset class without the large down payments or management headaches ...
You can't meet him and not smile. He's endlessly positive. He's a builder. He's a creator. He's been that his entire life." Siegel is originally from Chapel Hill, N.C. Since he's in his mid-60s ...
In the shape note tradition, most tunebooks have one or more tunes other than "Nettleton" that use Robinson's lyrics, in part, or in whole, often adding a camp meeting-style revival chorus between each verse. Because most singers have the lyrics memorized, it can be sung at remarkably fast tempos without stumbling over the words.
Over 50 million Americans claimed Social Security benefits as of December 2023, with an average monthly check of $1,905.31. Just 53,616 Americans continue to receive retirement benefits until they ...
Till I Gain Control Again" is a country song written by Rodney Crowell and originally recorded by Emmylou Harris in 1975. [1] The song was included on her 1975 studio album Elite Hotel . The song is most known by the No. 1 single version recorded by Crystal Gayle on her 1982 album, True Love .