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The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Pages in category "Plays by Euripides" The following 35 pages are in this category, out of 35 total. This list may not reflect recent changes. A. Alcestis (play)
[citation needed] Euripides and other playwrights accordingly composed more and more arias for accomplished actors to sing, and this tendency became more marked in his later plays: [34] tragedy was a "living and ever-changing genre" [35] (cf. previous section, and Chronology; a list of his plays is below).
These include the comedies of Aristophanes and Menander, the tragedies of Aeschylus, Sophocles and Euripides, and the Roman adaptations of Plautus, Terence and Seneca. In total, there are eighty-three mostly extant plays, forty-six from ancient Greece and thirty-seven from ancient Rome. Furthermore, there are six lost plays with extensive ...
The Bacchae of Euripides: A Communion Rite is an adaptation by Wole Soyinka of the ancient Greek tragedy The Bacchae by Euripides. Soyinka wrote the play during his exile in Britain. It was first performed on 2 August 1973 by the National Theatre company at the Old Vic in London.
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus's final night with his disciples and the passion and resurrection, sometimes called the Book of Glory [33] or Book of Exaltation (13:1–20:31); [34] and a ...
Pages in category "Plays based on works by Euripides" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. A.
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]