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Pages in category "Paintings of the Crucifixion of Jesus" The following 130 pages are in this category, out of 130 total. This list may not reflect recent changes .
Page 380 showing the Crucifixion, the only full-page miniature in the missal. The following page was intentionally left blank. The following page was intentionally left blank. The Sherborne Missal (London, British Library, Add MS 74236) is an early 15th-century English illuminated manuscript missal , one of the finest English examples of ...
The Crucifixion with the Virgin and St John by Hendrick ter Brugghen is an oil painting, now in the Metropolitan Museum of Art in New York City. It was probably painted c. 1625 as an altarpiece for a Catholic schuilkerk , a "hidden church" or "church in the attic", in the Calvinist Dutch United Provinces , probably Utrecht .
Crucifixion sketch by St. John of the Cross, c. 1550, which inspired Dalí. The painting is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. [1]
Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya.He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter.
Crucifixion is a painting of the Crucifixion of Christ, usually attributed to Perugino, with or without assistance from Luca Signorelli.The work's dating and attribution are both uncertain - Venturi and Schmarsow attribute it to a pupil of Perugino, whilst other art historians attribute it to Perugino alone or with assistance from Signorelli.
The central panel shows the crucifixion of Christ surrounded by figures, supported on the left with a panel showing Ecce Homo, and on the right with the Resurrection.The lower triptych shows Jesus carrying the cross along the road to Calvary, supported on the left with Christ at the Column and on the right with the Man of Sorrows being crowned with thorns.
[3] The manuscript consists of 119 parchment sheets, 382 × 274 mm. [4] Four full-page frontispieces illustrate 1) the Hand of God, 2) Abbess Uta dedicating the codex to the Virgin and Child, 3) the Crucifixion, and 4) Saint Erhard, patron saint of the convent, celebrating Mass. A portrait of each the four Evangelists accompanies the readings ...