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Original file (1,879 × 2,500 pixels, file size: 1.07 MB, MIME type: application/pdf, 6 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Member Chris Brown said the album is about "how God doesn't ask for perfect praise", [5] further stating: We wonder what He could possibly want with our messy, dysfunctional lives. Because, after all, He's got a chorus of angels worshipping Him, singing endless and perfect praises around his throne in heaven day and night.
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
Carols for Choirs was an instant success and became OUP Music Department's best-selling title, with over a million copies being sold. [2] OUP were keen to commission a second volume, but after the death of Jacques in 1969, a new editor had to be found to support Willcocks, and an undergraduate at Cambridge University , John Rutter , was recruited.
2. We ourselves are God's own field, Fruit unto his praise to yield; Wheat and tares together sown Unto joy or sorrow grown; First the blade and then the ear, Then the full corn shall appear; Grant, O harvest Lord, that we Wholesome grain and pure may be. 3. For the Lord our God shall come, And shall take the harvest home;
It’s a joyful declaration of God’s faithful provision in our lives, and the lyrics reference well-known Old Testament stories of miraculous provision." [ 10 ] Gerod Bass of Worship Musician magazine wrote in his review: "The groovy southern rocker uses the experiences of the Israelites in the desert to remind us that God always provides for ...