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The Death of Nature: Women, Ecology and the Scientific Revolution is a 1980 book by historian Carolyn Merchant. It is one of the first books to explore the Scientific Revolution through the lenses of feminism and ecology. [1] It can be seen as an example of feminist utopian literature of the late 1970s. [2]
Carolyn Merchant (born July 12, 1936 in Rochester, New York) is an American ecofeminist philosopher and historian of science [1] most famous for her theory (and book of the same title) on The Death of Nature, whereby she identifies the Scientific Revolution of the seventeenth century as the period when science began to atomize, objectify, and dissect nature, foretelling its eventual conception ...
Overall, the Scientific Revolution did little to change people's ideas about the nature of women – more specifically – their capacity to contribute to science just as men do. According to Jackson Spielvogel , 'Male scientists used the new science to spread the view that women were by nature inferior and subordinate to men and suited to play ...
Different discourses have shaped the way that sustainable development is approached, and women have become more integrated into shaping these ideas. The definition of sustainable development is highly debated, but is defined by Harcourt as a way to "establish equity between generations" and to take into account "social, economic, and environmental needs to conserve non-renewable resources" and ...
This is a timeline of women in science, spanning from ancient history up to the 21st century. While the timeline primarily focuses on women involved with natural sciences such as astronomy, biology, chemistry and physics, it also includes women from the social sciences (e.g. sociology, psychology) and the formal sciences (e.g. mathematics ...
"H. J. Mozans, in his Woman in Science, gives us a most comprehensive survey of the scientific activity and attainments of women. Primarily inspired to his investigation by extensive travels in Greece and Italy, the author begins with the learned women of ancient Greece-Hypatia, Sappho, and Aspasea, and of somewhat less widespread fame, Gorgo, Andromeda, and Corinna-and passes on from them to ...
He gets one in woodsy “Force of Nature: The Dry 2,” though naturally the second feature adapted by director Robert Connolly from Jane Harper’s print mystery series soon finds him equally ...
In her updated essay "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century", in her book Simians, Cyborgs and Women: The Reinvention of Nature (1991), Haraway uses the cyborg metaphor to explain how fundamental contradictions in feminist theory and identity should be conjoined, rather than resolved ...