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In the episode, Fiona debates over her future with Gus or Jimmy, while Frank tries to challenge Sammi. The episode marked the final appearance of Justin Chatwin in the series. According to Nielsen Media Research , the episode was seen by an estimated 1.44 million household viewers and gained a 0.6 ratings share among adults aged 18–49.
"But at Last Came a Knock" received critical acclaim. Joshua Alston of The A.V. Club gave the episode an "A–" grade, praising the episode's dramatic elements: "Having Monica back in the picture led to some brilliant, explosive scenes as we saw all the characters recalibrate as best they could. [...] All of the scenes that dealt with Monica's ...
Despite the ending, Narasaki was highly positive towards the rest of the episode, writing "After a fantastic season, Shameless delivers a (mostly) fantastic finale." [10] David Crow of Den of Geek gave the episode a 3 star rating out of 5 and wrote, "Season 4 might be the most uneven season of Shameless, but it feels like the most honest one ...
Yet, the way he appeared in tonight's Shameless still had my jaw drop, and it was very, very Jimmy — as in inconsiderate, selfish, and bad timing." Crow was also largely positive regarding Frank's storyline, writing "Frank’s unabashed manipulation of a man clearly in deep grief and denial, such as wearing David’s baseball jersey and ...
Carlo Sobral of Paste gave the episode a 8.8 out of 10 rating and wrote "After two relatively tame episodes of Shameless to start season 4, "Like Father, Like Daughter" saw the show return to its more dysfunctional, disturbing side. With Ian still absent and most of the secondary characters having limited screen time, this episode spent a lot ...
Michael Winterbottom's 9 Songs arguably remains the most sexually explicit (non-porn) British movie of all time. It contains several scenes of unsimulated sex between the two leads (Kieran O'Brien ...
Carlo Sobral of Paste gave the episode a 9.3 out of 10 rating and wrote "As we've come to expect from its first few seasons, Shameless often reaches its peak when it's most difficult to watch. After things began looking up for some of the Gallaghers recently, this week's "There's the Rub" brought their world crashing down around them in a gut ...
Mickey is a closeted homosexual, something which became the punchline in later seasons. Mickey slowly matured as the show progressed, becoming less violent and aggressive and more kind to people, something which results in further mockery by his biological family. Despite his exaggerated personality, he often runs away at the first sign of trouble.