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Hymen, oh Hyménée!, also known as Boda Romana, [1] is a painting by Filipino painter Juan Luna.Luna, working on canvas, started in 1886 and later completed in 1887 during the artist's honeymoon in Venice after his wedding to Paz Pardo de Tavera.
The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d’Un Café, [2] literally meaning "Inside a Café"), is an oil on canvas impressionist [3] painting made by Filipino painter and revolutionary activist Juan Luna in 1892. [4] The painting presently owned by the Government Service Insurance System is currently exhibited ...
Juan Luna in his Paris studio. Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became ...
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
The Spoliarium is a painting by Filipino painter Juan Luna.Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators.The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). [1]
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".
Filipino art experts, historians, and researchers have four theories on the identity of the sitter in Luna's La Bulaqueña despite the lack of any photographs. According to Emilio Aguilar Cruz, a columnist for the Philippine Daily Globe newspaper, the woman in the portrait could be a woman Luna had courted after losing his wife Paz Pardo de Tavera.
The characteristic of Luna's Mi Novia is similar to Félix Resurrección Hidalgo's scholarly portrait of A Girl Carrying a Flowerpot. [1] According to rumours, this painting is haunted and cursed since Juan Luna was working on it when he killed his wife and mother-in-law using a shotgun due to his suspicions of infidelity.