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Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
No dejaré de quererte, Llorona Y, aunque la vida me cueste No dejaré de quererte, Llorona Y, aunque la vida me cueste De las arcas de la fuente ¡Ay, Llorona! corre el agua y nace la flor; si preguntan quién canta ¡Ay, Llorona! les dices que un desertor, que viene de la campaña ¡Ay, Llorona! (viene) en busca de su amor.
She was discovered via a casting call by Jayro Bustamante, [3] [5] and acted in two of Bustamante's films, Ixcanul and La Llorona. [5] At the 2019 Venice Film Festival, she wore a typical Quetzaltenango costume. [8] In 2022, she joined the Marvel Cinematic Universe by appearing in Black Panther: Wakanda Forever where she played Namor's mother. [9]
Manuel Elogio Carpio Hernández (March 1, 1791 – February 11, 1860) was a Mexican poet, theologian, physician, and politician. Much of his poetry was religious or historical, with an inspiration for his poetry deriving from the Bible.
La Llorona, a Latin American legend La Llorona, a Guatemalan film also known as The Weeping Woman; The Weeping Woman, a 1937 painting by Pablo Picasso; A Woman Weeping, a 1644 painting by Rembrandt or a student of his; Weeping Woman and Mask of a Weeping Woman, 1885 sculptures by Auguste Rodin
La Llorona (lit. ' The Crying Woman ' ) is a 1933 Mexican supernatural horror film directed by Ramón Peón , written by Fernando de Fuentes and Carlos Noriega Hope , and stars Ramón Pereda , Virginia Zurí, Adriana Lamar and Carlos Orellana .
Aguilar gained notable recognition after performing "La Llorona" at the 19th Annual Latin Grammy Awards in 2018. Her paternal grandparents are the actors and singers from the Golden Age of Mexican cinema, Antonio Aguilar and Flor Silvestre. Her debut solo studio album, Primero Soy Mexicana (2018), was met with critical acclaim and success.
La Loca is a literary mythotype of the mad heroine found in Chicana literature related to La Llorona. Authors using the figure include Ana Castillo , Sandra Cisneros and Monica Palacios , as well as in the poem "La Loca de la Raza Cósmica" by the pseudonymous La Chrisx.