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SZA has been candid about her struggles with mental health and anxiety, describing the music industry as "one of the most stressful, psychosis-inducing industries". [234] She battled suicidal depression following the sudden deaths of three ex-boyfriends in quick succession and found solace through prayer and music, which helped her work toward ...
"To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here," SZA, 35, wrote on X. "Then go be a farmer n donate the produce to underserved ...
“Lana” — the title for the long-delayed deluxe edition of SZA’s 2022 blockbuster “SOS,” which finally dropped on Friday afternoon — has had a long and convoluted history, morphing ...
Grammy winning singer-songwriter SZA not only tops the charts with her solo projects, but she’s also one of the most in demand musical collaborators working in the industry today—and she has ...
"Consideration" was originally meant for inclusion on SZA's debut album, Ctrl (2017), with the title "LouAnne Johnson", which was inspired by and named after Michelle Pfeiffer's character in Dangerous Minds (1995). [1] SZA has stated that the song reminded her of the movie Dangerous Minds (1995) "mixed with the yodeling" from Insidious (2010). [2]
Doja Cat and SZA duetted on "Kiss Me More" and the "Kill Bill" remix. SZA co-wrote one SOS track with Lizzo and featured on the latter's "Special" remix. Brandun DeShay, one of SZA's earliest collaborators, co-wrote three songs from See.SZA.Run. Producer Rob Bisel co-wrote 17 of the 23 songs on the standard edition of SOS.
SZA put out two singles in 2017, "Love Galore," and "The Weekend," which both went top 40 on the Billboard Hot 100.Fast forward to 2020, and SZA dropped her single "Good Days." Then in 2021, she ...
After the Variety interview, SZA performed "BMF" alongside two other SOS outtakes at a September 2023 concert in Brooklyn, New York. [10] The song was released to contemporary hit radio stations on January 7, 2025, [11] the same day "30 for 30" was released to rhythmic contemporary radio. [12] The song is the fifth track on the album. [13]