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The vast majority of literary production in Old French is in verse; the development of prose as a literary form was a late phenomenon (in the late Middle Ages, many of the romances and epics were converted into prose versions). The French language does not have a significant stress accent (like English) or long and short syllables
The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables [see "musique ...
The Old French Tristan Poems: A Bibliographic Guide is a 1980 bibliography by David J. Shirt, a scholar of French literature who specialised in Arthurian and Tristan studies. It presents an overview of the literature on the medieval Tristan and Iseult poems, including the 12th-century poems by Béroul and Thomas of Britain.
The French chanson gave rise to the Old Spanish tradition of the cantar de gesta. The chanson de geste was also adapted in southern ( Occitan-speaking ) France. One of the three surviving manuscripts of the chanson Girart de Roussillon (12th century) is in Occitan, [ 61 ] as are two works based on the story of Charlemagne and Roland, Rollan a ...
Le Roman de la Rose (The Romance of the Rose) is a medieval poem written in Old French and presented as an allegorical dream vision.As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed.
This category is for works of literature written in one of the Oïl languages in France in the Middle Ages.For literature written across the channel in the Anglo-Norman language, see Category:Anglo-Norman literature.