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On January 20, 2020 the results of research into this painting were published, and the conclusion was that this is a real Van Gogh painting, painted in the time that he was in a mental institution. [19] Note the painter shows his right ear, if painted via a mirror, while Van Gogh cut his left ear.
Van Gogh used Impasto painting strokes, a technique where paint is laid thickly on a surface to show marks of the Painting knife, to give the composition more energy and passion. [5] [6] He was inspired by Adolphe Monticelli's use of impasto in his own paintings [7] [6] as illustrated by the letter he wrote to his brother, Theo, in 1888. [5] [6]
Van Gogh, excited to have a model for a portrait, worked on the portraits of a Zouave in June 1888 in Arles. Van Gogh described him as a boy, with a small face, large neck and intense eyes. A half-length portrait was made of the tanned man with bright colors he called a "savage combination of incongruous tones".
Dutch Post-Impressionist painter Vincent van Gogh painted a self-portrait in oil on canvas in September 1889. The work, which may have been Van Gogh's last self-portrait, was painted shortly before he left Saint-Rémy-de-Provence in southern France. [1] [2] [3] The painting is now at the Musée d'Orsay in Paris. [4]
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The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]