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"Double Life" is a diss track written, produced, and performed by American singer-songwriter Pharrell Williams. Originally previewed on Williams's YouTube channel on May 8, the song was released by Columbia Records as a single for the soundtrack of the film Despicable Me 4 on June 14, 2024. An orchestral song, it was met with generally positive ...
Double Life is a television advertisement released in 1999 by SCE Europe. The 60-second long ad – conceived and written by copywriter James Sinclair, art director, Ed Morris and Trevor Beattie (creative director) – shows 19 PlayStation players discussing their gaming experience with the console. The ad was the most highly awarded in the ...
A Double Life, a French-West German drama film; Double Life, a 2002 album by Värttinä "Double Life", a song by Styx from Kilroy Was Here "Double Life" (The Cars song), a 1979 single "Double Life" (Pharrell Williams song), a 2024 diss track "Double Life" (PlayStation ad), a 1999 television advertisement; Double Life (Invisible Detective), the ...
Double or Nothing is the second solo studio album by the American rapper and record producer Erick Sermon. It was released on November 7, 1995, via Rush Associated Labels. The album was produced by Sermon, Redman, Rockwilder, Rod 'KP' Kirkpatrick, and Ty Fyffe. It features contributions from Keith Murray, Redman, Jazze Pha, Passion, and Roz.
"Double Life" is a single by the American rock band the Cars from their second album Candy-O. Written by Ric Ocasek , the song was almost left off the album. The song was released as the third single from the album in 1979, but did not chart.
"Double Up" is a song by American rapper Nipsey Hussle, released on February 16, 2018, from his debut studio album Victory Lap. The song features rappers Belly and Dom Kennedy , as well as additional vocals by Axl Folie and Zacari .
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album Revolver. It was written by Paul McCartney and credited to Lennon–McCartney . [ 5 ] [ 6 ] The song is a homage to the Motown Sound , with colourful brass instrumentation [ 7 ] and lyrics that suggest a psychedelic experience ...
An instrumental version was recorded by Bill Haley & His Comets in 1959 and released as a single in 1960; it was the band's final release for Decca Records and was only a minor hit. In 1961, Ray Charles recorded an instrumental version for his album The Genius After Hours. The R&B group the Sensations released a rendition in 1961.