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The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
Kempton Bunton (14 June 1904–April 1976) was an English man who confessed to taking Francisco Goya's painting Portrait of the Duke of Wellington from the National Gallery in London in 1961. [3] [2] [4] The story of Bunton and the painting was the subject of the October 2015 BBC Radio 4 drama Kempton and the Duke, and the 2020 film The Duke.
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Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The series was intended by Goya as a commercial venture but this was unsuccessful, partly because of Goya's expressive use of the form was radically different from the tidy appearance of most lithographs of the time. [2] A sense of Goya's working methods can be gained from Goya's companion and assistant in Bordeaux Antonio Brugada
Photo of the wall of the old house of Goya, done by J. Laurent in 1874. A Pilgrimage to San Isidro (Spanish: La romería de San Isidro) is one of the Black Paintings painted by Francisco de Goya between 1819–23 on the interior walls of the house known as Quinta del Sordo ("The House of the Deaf Man") that he purchased in 1819.
Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823). His paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition , which had been active in Witch hunting during the seventeenth ...
The Colossus (also known as The Giant), is known in Spanish as El Coloso and also El Gigante (The Giant), El Pánico (The Panic) and La Tormenta (The Storm). [2] It is a painting traditionally attributed to Francisco de Goya that shows a giant in the centre of the canvas walking towards the left hand side of the picture.