Search results
Results From The WOW.Com Content Network
Piano concerto in C minor (1951) Piano Concerto in C minor, op. 2 (1952) Henryk Górecki - Harpsichord Concerto (1980) Arthur de Greef. Piano Concerto No. 1 in C minor; Piano Concerto No. 2 in B flat minor; Edvard Grieg. Piano Concerto in A minor, op. 16 (1868) Ferde Grofé. Concerto for Piano and Orchestra in D (1958) Mozart Camargo Guarnieri
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
C minor, sonata form. Ends in C major. Ends in C major. Howard calls this movement "rhythmically intense," [ 8 ] and Keller writes, "By now we will understand that this piano trio is to a large extent “about” rhythmic variety, and the finale carries that idea through to the end through an abundance of hemiolas (i.e. brief passages of duple ...
The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [ 2 ] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later.
No. 1 - Allegro agitato in C minor - "The Sea" No. 2 - Lento assai in A minor - "The Sea and the Seagulls" No. 3 - Allegro molto in F ♯ minor; No. 4 - Allegro assai in B minor; No. 5 - Appassionato in E ♭ minor; No. 6 - Allegro in A minor - "Little Red Riding Hood and the Wolf" [3] No. 7 - Lento lugubre in C minor; No. 8 - Allegro moderato ...
The finale is a sonata-allegro in C minor in cut time with a secondary subject in E ♭ major. The tempo is Allegro comodo and the exposition is repeated. The piano accompaniment for the first theme, stated immediately in measure 1, is derived from the opening piano line of Felix Mendelssohn's Piano Trio in C minor, Op. 66, movement 1 ...
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
For Viola in E ♭ major; Op. 6, Variations for Piano and Orchestra (Vienna, circa 1798). Theme by Foglar (F major) Op. 7, 3 Fugues on the Style of Handel (Vienna, circa 1799) 1. Fugue in D minor; 2. Fugue in E ♭ major; 3. Fugue in F ♯ minor; Op. 8, Variations for Piano on a Traditional Austrian Song in F major (Vienna, circa 1801)