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The first printed version of Aesop's Fables in English was published on 26 March 1484, by William Caxton. [82] Many others, in prose and verse, followed over the centuries. In the 20th century Ben E. Perry edited the Aesopic fables of Babrius and Phaedrus for the Loeb Classical Library and compiled a numbered index by type in 1952. [83]
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
This was the version taken up in early English collections of Aesop's fables, including those of William Caxton, [3] Francis Barlow, [4] and Samuel Croxall. [5] Marie de France also used this story in her 12th century Anglo-Norman account, with the additional detail that the fox had first bundled firewood around the tree. Her comment on the ...
The story of the feud between the eagle and the beetle is one of Aesop's Fables and often referred to in Classical times. [1] It is numbered 3 in the Perry Index [2] and the episode became proverbial. Although different in detail, it can be compared to the fable of The Eagle and the Fox. In both cases the eagle believes itself safe from ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]
The folly of trying to keep up with the Joneses is the conclusion drawn by La Fontaine's Fables from the Phaedrus version of the tale, applying it to the artistocratic times in which La Fontaine lived ("The frog that wished to be as big as the ox", Fables I.3):
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...