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In the song "Mother's Legacy" (Gia tài của mẹ), Trinh sings about the Vietnamese experience of the Vietnam War: [11] He laments that the 1,000 years of Vietnam's subjugation to Chinese imperial rule, the 100 years of subjugation to French colonial rule, and the ongoing civil war, together have left a sad legacy of graveyards, parched ...
"Để Mị nói cho mà nghe" received praise from both the public and professionals. The song won "Song of the Year" and "Music Video of the Year" from the Dedication Music Award 2020, and won a record six awards from Làn Sóng Xanh, [3] [4] as well as three awards from giải Mai Vàng (Golden Plum Award) and one award from WebTVAsia Awards ...
[4] The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Đờn ca tài tử Orchestra in Saigon, 1911. Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam.
Lưu Hữu Phước (12 September 1921 in Cần Thơ, Cochinchina – 8 June 1989 in Hồ Chí Minh City, Vietnam) was a Vietnamese composer, a member of the National Assembly, and Chairman of the Committee of Culture and Education of the National Assembly of the Socialist Republic of Vietnam.
"Chan Chan" is a 1984 son composition by Cuban trovador Compay Segundo. It was first recorded in 1985 by Compay Segundo's own group. In 1987, he approached Eliades Ochoa, who agreed to record a version with the Cuarteto Patria.
The second is a dharma name, given when a person takes vows or is ordained as a monastic. Nhất Hạnh's dharma name is Phùng Xuân (逢春, "Meeting Spring") and his dharma title is Nhất Hạnh. [17] Neither Nhất nor Hạnh , which approximate the roles of middle name and given name, was part of his name at birth.