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Franco Buffoni (1948) is an Italian poet, translator and professor of literary criticism and comparative literature. He was born in Gallarate and lives in Rome. [1]He won the Viareggio Prize for poetry in 2015.
Apart from Urdu, Ahmad spoke English, French, German, Arabic, Persian, Italian and Turkish fluently and focused on translation early in his career. [1] Later he started writing short stories, of which he would publish five collections, and novels, authoring ten.
Afzal Ahmed Syed (افضال احمد سيد) is a contemporary Urdu poet and translator, known for his mastery of both classical and modern Urdu poetic expression. [1]Born in Ghazipur, India, in 1946, Afzal Ahmed Syed has lived since 1976 in Karachi, Pakistan, where he worked as an entomologist until his retirement in 2005. [2]
However, in Italian all syllables are perceived as having the same length, while in English that role is played by feet. [1] The most common metrical line is the hendecasyllable, which is very similar to English iambic pentameter. Shorter lines like the settenario are used as well. [2] The earliest Italian poetry is rhymed.
List of poets who wrote in Italian (or Italian dialects). This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Ahmed Ali (Urdu: احمد علی; 1 July 1910 – 14 January 1994) was a Pakistani novelist, poet, critic, translator, diplomat and scholar.A pioneer of the modern Urdu short story, his works include the short story collections: Angarey (Embers), 1932; Hamari Gali (Our Lane), 1940; Qaid Khana (The Prison), 1942; and Maut Se Pehle (Before Death), 1945.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Bernesque poetry is the clearest reflection of that religious and moral scepticism that was a characteristic of Italian social life in the 16th century, and that showed itself in most of the works of that period—a scepticism [117] that stopped the religious Reformation in Italy, and which in its turn was an effect of historical conditions.