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Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1] When split across pages, they occur at either the head or foot of a page (or column), unaccompanied by additional lines from the same paragraph ...
In the Middle Ages, the practice of rubrication (type in red-ink) used a red pilcrow to indicate the beginning of a different train of thought within the author's narrative without paragraphs. [ 3 ] The typographic character of the pilcrow usually is drawn like a lowercase letter- q , reaching from the descender to the ascender height; the bowl ...
A narrative work beginning in medias res (Classical Latin: [ɪn ˈmɛdɪ.aːs ˈreːs], lit. "into the middle of things") opens in the chronological middle of the plot, rather than at the beginning (cf. ab ovo, ab initio). [1] Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or description of ...
The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [2] Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction".
The in medias res technique, where the relating of a story begins at the midpoint, rather than at the beginning, [5] can also be used as a narrative hook. Toni Morrison's Beloved begins in medias res and transitions to a description of the house that serves as the novel's setting, disrupting the reader's expectations of a typical narrative ...
The beginning, dependent, clause probably refers to the content of a preceding paragraph that presented the ant as a community-focused worker. As suggested by the main clause, which is the second within the sentence, the new paragraph will address how the ant works to benefit herself as well.
Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
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