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Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The inscription round the image on the Ruthwell Cross, for which no direct source is known, reads: "IHS XPS iudex aequitatis; bestiae et dracones cognoverunt in deserto salvatorem mundi" – "Jesus Christ: the judge of righteousness: the beasts and dragons recognised in the desert the saviour of the world". [29]
Although the drawing still shows John the Baptist as a child and not a lamb, it is the first indication that the composition could be constructed and read in the opposite direction to that of the Burlington House cartoon. [34] [37] The second drawing is in the collections of the Graphic Arts Department of the Louvre under inventory number RF ...
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
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A new form of the image, which from the rare early versions seems to have been formulated in 6th-century Palestine, was to set the essential form of Eastern Orthodox images down to the present day. The setting is now a cave – or rather the specific Cave of the Nativity in Bethlehem, already underneath the Church of the Nativity , and well ...