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The deigan (泥眼) mask is a mask that represents the first stage of a woman's transformation into a demoness as her emotions begin to rise. The gold-painted eyes and tooth tips on the masks indicate that the women have already begun the transformation from human to onryō (怨霊, vengeful spirit) or ikiryō (生霊, disembodied spirit).
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Oni Mask [44] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
Since 1990 there has been a resurgence in the practice of tā moko for both men and women, as a sign of cultural identity and a reflection of the general revival of the language and culture. Most tā moko applied today is done using a tattoo machine, but there has also been a revival of the use of uhi (chisels). [7]
A woman with tattoos around her mouth. She wears ninkali (ear rings) in her ears, a lektumpe (necklace) around her neck, and a tamasai (necklace) down her neck Traditional tattoo patterns of Ainu women Traditional tattoo patterns of Ainu women, with regional differences. Tattoos were an important symbol of the gods associated with the belief in ...
The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.