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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
The mask that represents a woman who has become a demoness is hannya, and hannya is also called chūnari or nakanari (中成) in contrast to namanari. [3] The mask that represents a demoness who becomes even more furious and looks like a snake is a jya (蛇), meaning 'snake', and the one that is even more furious is shinjya (真蛇), meaning ...
The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Oni Mask [44] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Shirohige Ressei-menpo. 18th century, Edo period. Tokyo Fuji Art Museum.. Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan.
The Ife head is thought to be a portrait of a ruler known as an Ooni or Oni. It was probably made under the patronage of King Obalufon Alayemore whose famous naturalistic life-size face mask in copper shares stylistic features with this work. Today among the Yoruba, Obalufon is identified as the patron deity of brass casters.