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The song has been covered by various artists, including: Michael Johnson, on his 1973 debut album There Is a Breeze; Iain Matthews, on his 1979 LP Stealin' Home; Barbra Streisand, on her Live in Concert 2006 album; John Pizzarelli, on his 2008 album With a Song in My Heart; by Billy Porter on his 2017 album The Soul of Richard Rodgers; and James Taylor, on his 2020 album American Standard.
SongMeanings is a music website that encourages users to discuss and comment on the underlying meanings and messages of individual songs. [1] [2] [3] As of May 2015, the website contains over 110,000 artists, 1,000,000 lyrics, 14,000 albums, and 530,000 members. [4]
The music faculty is in some respects unique to the human species; only humans compose music, learn to play musical instruments and play instruments cooperatively together in groups. Playing a musical instrument in a group is a tremendously demanding task for the human brain that potentially engages all cognitive processes that we are aware of.
Music can be appreciated in diverse mediums such as cinematography, theatre, and dance. For the post-millennial generation, music is now a commonplace integration with our lifestyles, and students studying music appreciation should seek to establish the underlying messages of artistic intent within their indirect consumption of musicology. [7]
Global models are further distinguished as analysis by traits, which "identify the presence or absence of a particular variable, and makes a collective image of the song, genre, or style being considered by means of a table, or classificatory analysis, which sorts phenomena into classes," one example being "trait listing" by Helen Roberts, [36 ...
A more nascent development of AI in music is the application of audio deepfakes to cast the lyrics or musical style of a pre-existing song to the voice or style of another artist. This has raised many concerns regarding the legality of technology, as well as the ethics of employing it, particularly in the context of artistic identity. [ 59 ]
These songs contain some of the singer-songwriter’s most biting lyrics, the kind that twist the emotional knife into anyone’s heart. Swift’s eleventh studio album is no different.
Changed for Good: A Feminist History of the Broadway Musical noted: [1]. Composer Marvin Hamlisch said that the song set the tone for all the music in the show; once the song was written, the creators understood "the shape and color of the piece as a whole".