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The Queen's Prayer, or in Hawaiian Ke Aloha O Ka Haku. It was published as Liliʻuokalani's Prayer, with the Hawaiian title and English translation ("The Lord's Mercy") now commonly called "The Queen's Prayer". [35] It is a famous mele, composed by Queen Liliʻuokalani, March 22, 1895, while she was under house arrest at ʻIolani Palace.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [ 1 ] [ 2 ] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs.
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
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Unlike hymns, the music notation may primarily be based around the chords, with the keyboard score being secondary. At more charismatic services, members of the congregation may harmonise freely during worship songs, perhaps singing in tongues (see glossolalia ), and the worship leader seeks to be 'led by the Holy Spirit '.
The archbishop will read an opening prayer, in which he will say: “O God, the maker and redeemer of all mankind: grant us, with thy servant Queen Elizabeth, and all the faithful departed, the ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e