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Ave Maria is a 1964 motet by Franz Biebl, composed for double choir, a large four-part choir and a three-part choir which can be performed by soloists. It is a setting of part of the Latin liturgical Angelus prayer, which contains the Ave Maria (Hail Mary) as a refrain.
The ensemble met Biebl while on tour in Germany, during a recording session at a radio network where Biebl was music director. Conductor Thomas A. Sokol was given a number of Biebl's works, premiering them after returning home. [2] The Ave Maria quickly gained popularity, most notably after becoming part of the repertoire of Chanticleer.
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First group to bring the Franz Biebl Ave Maria' from Germany to the United States after meeting the composer during a recording session on the 1970 tour of Germany. [5] Three month tour through East Asia in 1966 on an all-expense-paid tour sponsored by the U.S. State Department. [6]
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"Ave Maria" (Intermezzo), an aria by Pietro Mascagni from Cavalleria rusticana (1890) Ave Maria, motet by Igor Stravinsky (1934) "Ave Maria", a choral setting by Franz Biebl (before 1959) "Ave Maria" (Vavilov) (1970), an aria by Vladimir Vavilov, falsely ascribed to Giulio Caccini "Ave Maria", a choral setting by Morten Lauridsen (1997)
Ave Maria (Biebl) Ave Maria (Vierne) Ave maris stella; Axion Estin; B. Bogurodzica; Bring Flowers of the Rarest; C. Catholic Marian music; D. Deus ti salvet Maria; E.
Ave Maria (Hail Mary), Op. 3, ... on YouTube This page was last edited on 10 January 2024, at 06:51 (UTC). Text is available under the Creative Commons ...