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Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [11] Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body.
Slip is an aqueous suspension of a clay body, which is a mixture of clays and other minerals such as quartz, feldspar and mica. The slip placed onto a wet or leather-hard clay body surface by a variety of techniques including dipping, painting, piping or splashing. [1]
Barbotine is the French for ceramic slip, or a mixture of clay and water used for moulding or decorating pottery. [1] In English the term is used for three different techniques of decorating pottery, though in all cases mainly for historical works. For clarity, these types are numbered here as A-C (which are not standard terms).
Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [1] The technique involves a clay body slip ...
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
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It is produced on walls by applying layers of plaster tinted in contrasting colours to a moistened surface, and on pottery by applying two successive layers of contrasting slip or glaze to an unfired ceramic body. [1] The Italian past participle sgraffiato is also used for this technique, especially in reference to pottery.